Samuel D. Hunter’s The Whale is a powerful drama about Charlie, a reclusive and morbidly obese English teacher trapped in his final days in a small Idaho apartment, desperately trying to reconnect with his estranged teenage daughter. The people who visit him—his only friend, a hopeful missionary, and his bitter daughter—lead him to confront the choices that led him to his current state. The play is an intimate and heartbreaking exploration of redemption, faith, and the human need for connection. "The Whale" is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
The Whale is brought to you by
Adrian Goldman has directed over 30 plays in three countries and completed his MA in Theatre Directing in 2024 at Royal Holloway University of London, under the guidance of Katie Mitchell, OBE. He is delighted to be the first person to direct for Salvation Talent, and looks forward to many more fruitful collaborations. In his spare time, he can be found moonlighting as a Professor at the University of Helsinki.
Although he is first and foremast an actor, Salvador Esparza has ventured into producing for the theatre out of the desire to prioritise working on powerful, socially relevant works and his passion for assembling and working with equally passionate teams. He runs Salvation Talent with a desire to continue producing thought-provoking theatre in English for Finland’s theatre scene.
Salvador Esparza is a Mexican-American actor and who has been living in Helsinki since 2016. He completed a Minor in Theatre Arts as part of his university education at the Massachusetts Institute of Technology in 2014, and is represented by the Nordic talent agency Aura Actors. His most recent credits include appearances in ‘Ivalo’ (season 4) and ‘Toinen tuleminen’ (season 1) and a variety of voice-overs for Finnish corporate, industrial, and video game brands.
Jess is new to town and this is her first play on the Helsinki stage. She has most recently been seen doing stunt work on film in ‘Heim’ and ‘There's Something in the Barn’ and has a long stage career in the USA. She holds a Master's degree in Acting for TV, Film, and Theatre from Cal State LA.
Anna Rawlings is a Helsinki-born actor who spent many years working mainly with the Finn-Brit Players. Having taken a decade-long break from the stage to pursue other goals, she is now delighted for the opportunity to tread the boards again in ‘The Whale’.
Charlotte Riley is an actor from the UK, based in Helsinki. You may have spotted her recently in ‘Macabre Morsels | & ||’, ‘ImprovAIsed’, and ‘Short n Snappy’, or perhaps just loitering dramatically in a doorway. Charlotte is powered almost entirely by cheese, the affection of cats, and chaotic creative energy.
Heini mainly works in the film industry, occasionally visiting the theater world when an exciting opportunity, such as ‘The Whale’, presents itself. She is a professional actor and a talent agent. Heini is the owner of Aura Actors and represents 40 professional actors in the international film industry.
Why do the The Whale in Finland, in 2025? Is it not just a portrait of a man in exegesis in Idaho in around 2012? Isn’t there fat-shaming – in the title, in the fat-suit that our lead will wear?
I believe the play is relevant now and here because hatred of the other is on the march – most prominently in the US under the Voldemort of presidents – but also in Europe writ large (think Hungary and Orban) and even here in Finland.
For instance, certain ‘True Finns’ members of parliament refused to take part in the Independence Ball celebrations but were part of the fascist ‘612’ parade – and their leader, Riikka Purra, refused to condemn them.
The play is not about fat-shaming and homosexuality: it is about how a bigoted country makes people incapable of loving each other truthfully.
That is the root evil of the play: the whale in the title is Donald Trump, Elon Musk, Riikka Purra, Benjamin Netanyahu, Vladimir Putin, Giorgia Meloni.
Othering is in vogue.
Adrian Goldman
When Adrian messaged me a couple of years ago asking if I had read the script for The Whale, I didn’t realize then just how passionately I would want to make this production happen and just how emotional of a process its creation would be for me.
Charlie and I’s paths are not that different. I was first labeled “obese” at the age of 13 and carried that label my entire teenage and adult life. I grew up gay in a deeply religious community. I, too, share an unwavering optimism and faith in the goodness within all people. These shared experiences definitely anchor my portrayal of this character but bond me to this story in a way that very few other roles have done in the past.
Another reason this story compelled me so was the fact that, even 3 years ago, this story was already starting to feel like a relic of a reality that was fading. But things have changed very rapidly over the last couple of years, and quite frankly, over the last few months. With every passing day, the pain of Charlie and his family, both blood and chosen, starts to reflect the terrifying reality that awaits so many of those deemed undesirable by the powers that be. We must choose empathy. We must choose love. Even to our final breath. And that is why this story is important.
“Do you ever get the feeling that people are incapable of not caring?”
When the world around us seems hell-bent on drowning us in demoralizing updates about people in power stripping the marginalized further of the few grips they had on dignity, it is this unshakeable faith in humanity that Charlie has that we should all aspire to to bring us into a more beautiful tomorrow.
I hope this show touches you as deeply as it touches me.
Salvador Esparza
May 8, 2025 19:00
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